Fujifilm GFX100S Body
- 102MP, back-illuminated large format CMOS sensor
- Newly developed shutter and In-Body Image Stabilization (IBIS) system to provide up to 6 stops of correction
- Bring subjects into focus in as quickly as 0.18 sec, even in light levels as low as -5.5EV.
- Weighs less than 2 pounds (900g)
- Choice of 19 exclusive FUJIFILM Film Simulation modes
GFX100S is a new generation of large format digital camera, designed to suit a new generation of creators. The 102MP back-illuminated CMOS sensor combines with the X-Processor 4 quad-core CPU to deliver images of astonishing quality and professional 4K/30p video. The cameras five-axis In-Body Image Stabilization provides up to 6 stops of vibration reduction, while phase detection autofocus pixels, covering nearly 100% of the frame, work at speeds of up to 0.18 sec in light as low as -5.5EV. Have the freedom to create, even when the light begins to fade, and do it knowing that Fujifilm’s legendary color science will deliver the beautiful tones it is renowned for time and time again. Considering that all this is housed in a camera body comparable in size to many full-frame cameras, its clear that FUJIFILM GFX100S is blazing a new trail in the worlds of photography and filmmaking.
Powered by Fujifilm’s high-performance X-Processor 4 quad-core CPU, GFX100S utilizes its 102MP, back-illuminated large format CMOS sensor to create truly stunning results. remarkably detailed still images that possess amazing color fidelity, and rich shadow detail, with enough dynamic range to allow for astonishing push and pull adjustments in post-production. Or, use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver-screen.
Sitting at the heart of GFX100S is a newly developed shutter and In-Body Image Stabilization (IBIS) system that helps ensure you always make the most of the extreme resolution of the cameras 102MP imaging sensor. While reduced in size, compared to their counterparts in GFX100, both elements offer incredible performance, with the new shutter capable of 5fps continuous shooting and the unique, five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction. With such outstanding performance, GFX100S frees you from a tripod and lets you keep creating even when the light is low.
With an advanced phase detection autofocus (AF) system, GFX100S spearheads a whole new era of large format digital camera systems. An updated autofocus algorithm brings subjects into focus in as quickly as 0.18 sec, even in light levels as low as -5.5EV. This extraordinary performance is strengthened by the presence of phase detect autofocus pixels across nearly 100% of the frame, resulting in complete precision regardless of where the subject is. Combined with responsive tracking and reliable Face/Eye Detection, GFX100S lets large format photographers enjoy reliably accurate AF, even in low-contrast situations.
The GFX system already has a strong reputation for taking high-resolution photography out of the studio and into the world, but GFX100S takes it even further. Not only does it have a super-tough magnesium-alloy casing, but it is also made to operate in temperatures as low as 14F (-10C) and to be dust- and weather-resistant for those off-road moments. At less than 2 pounds (900g), its compact body is comparable in size to many full-frame cameras, but it contains an incredible, 102MP sensor thats almost twice the physical size of the typical full-frame sensor! Simply put, whether you are creating handheld portraits on location, or framing landscapes in the remote wilderness, GFX100S will truly let you harness the extreme power of large format.
Fujifilm’s expertise in color science is legendary among image makers. For more than 86 years, Fujifilm has been responsible for some of the worlds most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the worlds most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color straight out of camera. With a new Film Simulation mode to explore – Nostalgic Neg. – it may just be worth it to spend a little more time here than you originally thought.
Specs
Number of Effective Pixels
102 million pixels
Image Sensor
43.8mmx32.9mm Bayer array with primary color filter
Sensor Cleaning System
Ultra Sonic Vibration
Storage Media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras) to check memory card compatibility.
File format (Still)
JPEG: Exif Ver.2.32, RAW: 14bit/ 16bit RAW RAF original format, RAW+JPEG, TIFF: 8bit/ 16bit RGB (In-camera RAW Conversion Only)
Number of Recorded Pixels
L: [4:3] 11648×8736 [3:2] 11648×7768 [16:9] 11648×6552 [1:1] 8736×8736 [65:24] 11648×4304 [5:4] 10928×8736 [7:6] 10192×8736
M: [4:3] 8256×6192 [3:2] 8256×5504 [16:9] 8256×4640 [1:1] 6192×6192 [65:24] 8256×3048 [5:4] 7744×6192 [7:6] 7232×6192
S: [4:3] 4000×3000 [3:2] 4000×2664 [16:9] 4000×2248 [1:1] 2992×2992 [65:24] 4000×1480 [5:4] 3744×3000 [7:6] 3504×3000
Lens Mount
FUJIFILM G Mount
Sensitivity Standard Output
STILL: AUTO1/ AUTO2/ AUTO3 (up to ISO12800)/ ISO100~12800 (1/ 3 step)
MOVIE: AUTO/ ISO200~12800
Sensitivity Extended Output
STILL: ISO50/ 25600/ 51200/ 102400
MOVIE: ISO25600
Exposure Control
TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
Exposure Mode
P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
Exposure Compensation
STILL -5.0EV – +5.0EV (1/3EV step)/ MOVIE: -2.0EV – +2.0EV (1/3EV step)
Image Stabilizer Mechanism
Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect
Up to 6.0 stops (based on CIPA standard). Pitch/yaw shake only.
Image Stabilizer Digital Image Stabilization
Yes, movie mode only
Image Stabilizer IS MODE BOOST
Yes, movie mode only
Shutter Type
Focal Plane Shutter
Shutter Speed Mechanical Shutter
P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Shutter Speed Electronic Shutter
P mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min
Shutter Speed Electronic Front curtain Shutter
P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Shutter Speed Mechanical + Electronic Shutter
P mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min
Shutter Speed E-Front + Mechanical Shutter
P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
*Electronic front curtain shutter works until 1/1250
*When using the electronic front curtain shutter, the continuous shooting supports CL only
Shutter Speed E-Front + Mechanical + Electronic Shutter
P mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min
*Electronic front curtain shutter works until 1/1250, Mechanical shutter works until 1/4000
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting Flash can not be used
*When using the electronic front curtain shutter, the continuous shooting supports CL only
Shutter Speed Movie
DCI4K/4k: 1/4000 to 1/24 FHD: 1/4000 to 1/24
Synchronized Shutter Speed for Flash
1/125 or slower
Continuous Shooting
CH Mechanical Shutter Approx. 5.0fps: (JPEG: 42 Frames, Compressed RAW: 16 Frames, Lossless compressed RAW: 15 Frames, Uncompressed RAW: 14 Frames)
CH Electronic Shutter Approx. 2.9fps: (JPEG: 64 Frames, Compressed RAW: 236 Frames, Lossless compressed RAW: 18 Frames, Uncompressed RAW: 15 Frames)
CL Mechanical Shutter Approx. 2.0fps (JPEG: Endless, Compressed RAW: 45 Frames, Lossless compressed RAW: 22 Frames, Uncompressed RAW: 16 Frames)
*Electronic Front Curtain Shutter support CL only.
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
AE Bracketing
AE Bracketing (Frames: -2, -3, +3, +2, 9, 7, 5, 3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV5/3EV2EV7/3EV8/3EV3EV)
Film Simulation Bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO Sensitivity Bracketing (1/3EV, 2/3EV, 1EV)
White Balance Bracketing (1, 2, 3)
Focus Bracketing (AUTO, MANUAL)
Multiple Exposure (Max 9 frames – Additive, Average, Bright. Dark)
Pixel Shift Multi-Shot (Yes)
Focus Mode
Single AF/ Continuous AF/ MF
Focus Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-light Performance
Contrast: -2.5EV with GF80mmF1.7 attached Phase Detection: -5.5EV with GF80mmF1.7 attached
AF Frame Selection
Single point AF: EVF/ LCD: 139/ 2517 (Changeable size of AF frame)
Zone AF: 33/ 55/ 77 from 117 areas on 139 grid
Wide/Tracking AF: AF-S: Wide/ AF-C: Tracking
All
White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Dayight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Self-timer
10sec. / 2sec.
Interval Timer Shooting
Yes (Setting: Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash Sync Mode
1st Curtain/ 2nd Curtain/ AUTO FP (HSS)
Flash Mode
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Hot Shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder EVF
0.5 inch OLED Color Viewfinder
Resolution: Approx. 3.69 million dots
Coverage of Viewing Area vs. Coverage of Capture Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera’s Eyepiece)
Diopeter Adjustment: -4+2m-1
Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 38 (Horizontal angle of view: approx. 30 )
Built-In Eye Sensor
LCD Monitor
3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor, 4:3 Aspect Ratio, Approx. 2.36 million dots
Touch Screen Shooting Mode
AF
Focus Area
OFF
Double Tap Setting
Touch Function Setting
EVF Touch Screen Area Setting
Touch Screen Playback Mode
Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD Monitor
1.80 inch, Aspect Ratio 4:3, 303230-dot Monochrome LCD Monitor
File format (Movie)
MOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling)
Movie Compression
All Intra / Long GOP
*All Intra can be used with following settings.
DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
Full HD(2048×1080) / Full HD(19201080) 59.94p/50p/29.97p/25p/24p/23.98p200Mbps
File Size / Frame Rate / Recording Time
DCI 4K (40962160) 29.97p/ 25p/ 24p/ 23.98p 400Mbps/ 200Mbps/ 100Mbps up to Approx. 120min.
4K (38402160) 29.97p/ 25p/ 24p/ 23.98p 400Mbps/ 200Mbps/ 100Mbps up to Approx. 120min.
Full HD (20481080) 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps up to Approx. 120min.
Full HD (19201080) 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps up to Approx. 120min.
*For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
*For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.
*Recording movies in 400Mbps can be done with DCI 4K/ 4K 29.97p/ 25p/ 24p/ 23.98p.
*Recording time can become short depending on the temperature and/ or shooting conditions
Film Simulation Mode
19 modes
PROVIA/ Standard
Velvia/ Vivid
ASTIA/ Soft
Classic Chrome
PRO Neg.Hi
PRO Neg.Std
Classic Neg.
Nostalgic Neg.
ETERNA/ Cinema
ETERNA BLEACH BYPASS
ACROS
ACROS + Ye Filter
ACROS + R Filter
ACROS + G Filter
Black & White
Black & White + Ye Filter
Black & White + R Filter
Black & White + G Filter
Sepia
Monochromatic
Clarity setting
5 steps
Monochromatic Color
Yes
Grain Effect
Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL*117
Color Chrome Effect
STRONG, WEAK, OFF
Color chrome Blue
STRONG, WEAK, OFF
Smooth Skin Effect
STRONG, WEAK, OFF
Dynamic Range Setting
AUTO, 100%, 200%, 400%
Dynamic Range Setting (Movie)
100, 200, 400
Wireless Transmitter Standard
IEEE802.11b/g/n (standard wireless protocol)
Wireless Transmitter Encryption
WEP/ WPA/ WPA2 mixed mode
Wireless Transmitter Access Mode
Infrastructure
Terminal – Digital Interface
USB Type-C (USB3.2 Gen1x1)
Terminal – HDMI Output
HDMI Micro connector (Type D)
Terminal – Others
3.5mm, stereo mini connector (Microphone)
3.5mm, stereo mini connector (Headphone)
2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
Power Supply
NP-W235 Li-ion battery (included)
Battery Life for Still Images
Approx. 460 frames when GF63mmF2.8 R WR is attached
Actual Battery Life for Movie Capture
[4K] Approx. 60min @ 29.97p
[Full HD] Approx. 65min @ 59.94p
*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Continuance Battery Life for Movie Capture
[4K] Approx. 95min @ 29.97p
[Full HD] Approx. 110min @ 59.94p
*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Approximate External Camera Dimensions
(W) 150.0mm x (H) 104.2mm x (D) 87.2mm
(W) 5.91in. x (H) 4.1in. x (D) 3.43in.
Minimum Depth: 44.0mm / 1.73in.
Camera Width (mm)
150
Camera Height (mm)
104.2
Camera Depth (mm)
87.2
Camera Minimum Depth (mm)
44
Camera Width (in)
5.91
Camera Height (in)
4.1
Camera Depth (in)
3.43
Camera Minimum Depth (in)
1.73
Camera Body Weight
Approx. 900g including battery and memory card
Approx. 821g excluding battery and memory card
Operating Temperature
-10C-40C/ 14F-104F
Operating Humidity
10% – 80% (no condensation)
Start Up Period
Approx. 0.5sec.
What’s Included
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
Cable protector
Owner’s manual
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